Tag Archives: Books

A Very Human Condition

When I moved to New York City in 2003, it took me some time before I eventually found work as a New York City Sightseeing Guide.  For the first year, I felt ridiculously fortunate to be able to share NYC with tourists who rode with me on the top of a double-decker bus and to get paid for the pleasure.  That wore off eventually, but in the meantime, I got to know Mandy. 

Mandy, still generally called by what would become her dead name, Stephen, was my favorite coworker. A brilliant guide and former attorney, she was saving up for gender reassignment surgery.

Divorce from a greedy wife, mental illness in a daughter whom Mandy would never abandon, and frequent mandate transgressions had led to her being fired from her high-powered law firm, which left Mandy with no money for the ultra-expensive procedures. In the interim, Mandy made concessions of powerful self-assertion by wearing, in all weather, Bermuda shorts fashioned in bright orange sweatshirt fabric, frowzy blouses and tops that plunged below her prominent and rapidly graying chest hair, and neon-colored sneakers. Her hair and mouth were a whirling forest of bright tangerine curls and a soft, pillowy hot pink glossy triangle.

“I’m a lesbian,” Mandy explained to me the first time she asked me out to dinner.

I was flattered. I had never met anyone smarter or funnier than this person, qualities I have always found irresistible in a man. But I had no interest in being romantically involved with a woman, even a woman who was, anatomically at least, still a man. Of course, I didn’t want to hurt Mandy’s feelings, and though I turned down the invitations to dinner, to movies, to theater, we often sat together as we waited between buses.  

I never tired of listening to the stories she told. The personal stories were harrowing, beginning with a Lower East Side childhood, and the professional stories were infuriating. This person had tolerated more than anyone’s fair share of abuse by the system over the years. If I had been differently wired, if I were capable of loving Mandy as she deserved to be loved, I would have spent all kinds of days and nights with this remarkable human being.

Those first months working on the bus were magical.  What a privilege it seemed to explore New York from an ostensible eagle’s view. As a history and culture buff, I was learning in a way no book or school had ever taught me. Mandy’s wide knowledge of the city enriched each day and broadened my tour repertoire.  Having studied architecture, Mandy was conversant with the eclectic nuances of building styles that comprised our city’s makeup. As an astute political observer, she understood the underpinnings of Tammany, why Robert Moses was more tyrant than savior. She explained to me why the Breslin-Mailer campaign to create the great city-state, a movement I enthusiastically worked for in my youth, was basically moronic.  Having studied labor law, her expertise guided our labor disputes. When the company abused us, Mandy spoke eloquently with great erudition. She knew the score.  She understood what we were entitled to and what was being kept from us with malicious, greedy fury.

Winter descended as I rounded the end of my first year on the bus, and with it came the end of the idyll. Cold weather and heartless employers extinguished the joy.

Eventually, Mandy ended too.

Our company, a startup in every sense of the word, provided no bathroom for our relief.  For a while, we were allowed to use the restrooms in the Hilton Garden Inn, which was less than a block from our launch site, and the management there even encouraged us to buy goods in their gift store and food mart by giving us a generous discount. 

Then one day Mandy farted and sighed loudly in a stall in the women’s room, and a tourist seated next to her, the woman in the next stall, securely separated by a metal wall and a locked door, freaked out at the sound of a male voice sighing on the tail of a roaring fart. She complained to the Hilton management. After that, all guides were banned from the place. No more comfy lounge seats, no more cheap candy bars. No more toilet. I saw no solution to the problem and opted to take a break.

I left the buses to edit a book for the friend of a friend. The book was set in NYC, but the London-based author knew little about our city and wrote locations that were amiss and an Iowa-bred protagonist, who was more accurately an Englishman in New York.  To complete the project, I went to the UK for a few months, and when I returned, Mandy was gone. 

Conditions Mandy had fought to improve had killed her.

Mandy was our advocate, the voice that argued for improvement in conditions atop the buses that were unfit for guides.  We had no place to sit.  We were required at times to perform chores – like helping the elderly up the stairs or carrying baby paraphernalia or lugging luggage up the stairs – that put undue strain on all our muscle groups.  We stood for long periods of time, jostled mercilessly about. We had no place to go to get warm, no relief from the harsh winter exacerbated by the harsh wind generated by the moving bus.

Mandy’s back and health could not take it. She suffered pneumonia and bronchitis and then was injured and re-injured until she finally had no choice but to undergo back surgery.  Like many spinal surgery patients, Mandy did not survive. The company management, who never appreciated what an asset they had in Mandy, was relieved. Tethered by Mandy’s knowledge of the law, they had felt forced to retain her. Her illnesses and back troubles cost them money by way of pay they were impelled to dole out and by insurance rate hikes her claims inflicted. The bloodsuckers were free at last. 

We who loved Mandy, lost a precious friend.  I lost a valuable mentor.

I find myself wishing for her presence lately.  She’d tell me why the current state of affairs for Trans people cannot hold.  She’d tell me to keep the faith.

“Don’t give the bastards any power,’ she’d laugh.  “They’ll turn to dust just like the rest of us.”

Swift River . . . Paddling the Rapids of Raging Adolescence

Essie Thomas' new novel is a perfect summer read

From the moment I dived into Swift River, I was swimming through memory, in sync with Essie Thomas’s captivating heroine Diamond Newberry.  Like Diamond, my 17-year-old self suffered from a sense of dislocation, and I recognized in her a familiar longing to know an origin story. Like me way back then, she found her hope in stories her family members, the ones willing to talk candidly about the past, could share with her.  Like Diamond, I ate my troubles away, wallowed in tuna casseroles and wingdings, but being white,        From the moment I dived into Swift River, I was swimming through memory, in sync with Essie Chambers’s captivating heroine Diamond Newberry.  Like Diamond, my 17-year-old self suffered from a sense of dislocation, and I recognized in her a familiar longing to know an origin story. Like me way back then, she found her hope in stories her family members, the ones willing to talk candidly about the past, could share with her.  Like Diamond, I ate my troubles away, wallowed in tuna casseroles and wingdings, but being white, what young me did not have in common with Diamond was color. 

My confusion and disassociation were just as real, but they were invisible, and I therefore did not suffer the same slings and arrows of outrageous racism that Diamond endures. Yet I easily relate to what she feels, and how she responds because as unique as Diamond is, she is a character who represents the distinctly American experience of growing up in an unkind, duplicitous society whose respect for diversity is superficial at best. 

Diamond is caught in a perfect family-and-society-fueled storm. Her father has disappeared, is perhaps dead, and her mother has become recklessly unbalanced.  Her marriage to Diamond’s father was disastrous, but she does not know how to live without him.  So she drinks.  She makes Diamond responsible for her but is, at the same time, immobilized by the way her community – the town that has been her family home for generations – treats her daughter.  She knew that nothing about their life together would be easy, but she never embraced his brittle fragility.

Already restless and morbidly obese, Diamond finds herself entirely untethered by her fatherlessness.  She wants to stop her mother’s hurt, but she is aware that her mother’s love is genuine but also neurotic and toxic. She longs for her father’s return, as he seems to be the only one who might have the knowledge to explain why the town’s Black population inexplicably left town in the dead of night some years before and what their exodus has to do with her.  He alone might justify his bitterness and the self-destructive recklessness that causes him to act out his angry bouts of frustration.  Diamond has no place to turn for answers until she receives a letter from her father’s cousin-sister, who lives in the Newberry family home in Georgia. 

Letters pass between the girl and her unseen auntie, and Diamond begins to assert her true self.  She secretly signs up for driving lessons and forges a friendship with a girl from her class, who is equally void of ballast, a girl who has learned to sublimate her pain in promiscuity.  Over the course of an illuminating summer, Diamond learns to drive, loses her virginity, and finds her roots.

At the heart of Swift River is the reminder that no matter what ethnicity, what race a teenager is blessed or cursed with, the compulsion to know who we are and where we come from is universal.  Diamond’s plight is overwhelming, but she finds a way to cope just as teenagers have always forced themselves to cope with circumstances they would never choose as the basis of their lives.

Like all the great coming-of-age stories, this one is written by an adult with a mature outlook, told through the eyes of a precocious seventeen-year-old who clearly has the benefit of Chambers’s wisdom.  For that reason, Swift River is a great read for teens and adults.  It is an illuminating journey over the racing rapids of adolescence, a passage that none of us avoids.       

Diamond is caught in a perfect family-and-society-fueled storm. Her father has disappeared, is perhaps dead, and her mother has become recklessly unbalanced.  Her marriage to Diamond’s father was disastrous, but she does not know how to live without him.  So she drinks.  She makes Diamond responsible for her but is, at the same time, immobilized by the way her community – the town that has been her family home for generations – treats her daughter.  She knew that nothing about their life together would be easy, but she never embraced his brittle fragility

Already restless and morbidly obese, Diamond finds herself entirely untethered by her fatherlessness.  She wants to stop her mother’s hurt, but she is aware that her mother’s love is genuine but also neurotic and toxic. She longs for her father’s return, as he seems to be only one who might have the knowledge to explain why the town’s Black population inexplicably left town in the dead of night some years before and what their exodus has to do with her.  He alone might justify his bitterness and the self-destructive recklessness that causes him to act out his angry bouts of frustration.  Diamond has no place to turn for answers until she receives a letter from her father’s cousin-sister, who lives in the Newberry family home in Georgia. 

Letters pass between the girl and her unseen auntie, and Diamond begins to assert her true self.  She secretly signs up for driving lessons and forges a friendship with a girl from her class, who is equally void of ballast, a girl who has learned to sublimate her pain in promiscuity.  Over the course of an illuminating summer, Diamond learns to drive, loses her virginity, and finds her roots.

At the heart of Swift River is the reminder that no matter what ethnicity, what race a teenager is blessed or cursed with, the compulsion to know who we are and where we come from is universal.  Diamond’s plight is overwhelming, but she finds a way to cope just as teenagers have always forced themselves to cope with circumstances they would never choose as the basis of their lives.

Like all the great coming-of-age stories, this one is written by an adult with a mature outlook, told through the eyes of a precocious seventeen-year-old who clearly has the benefit of Essie Chambers’s wisdom.  For that reason, Swift River offers an astute journey through the fraught passage from childhood to adulthood that none of us avoids.